In the 1950’s, there was a TV variety show called “Cloud Nine”, but it isn’t clear whether the show or the currently numbered idiom came first. It wasn’t until the 1980’s that the number nine became predominant.
Other versions found in print have been clouds 8 and 39. Add insult to injury Meaning: Do something to make a bad situation worse Example: Learning she failed her science test on the same day her best friend moved away added insult to injury. Cloud seven was the most popular version of the phrase for decades, probably related to seventh heaven. Meaning: Someone in an uncomfortable position or situation Example: It was Allison’s first day at her new school, and she felt like a fish out of water. To make matters more confusing, the number nine seems to be a relatively recent arrival to the whole cloud saga. There are ten of them as well.ģ) In Chinese Han mythology, there are nine levels to heaven, nine being the highest, so this seems more fitting. Choosing a second best category to define the ultimate state of happiness seems illogical.Ģ) A second claim is that this refers to the ninth state of enlightenment in Buddism. But Iddy’s counted those. One extra fact seems to negate this explanation. In their categorisation of clouds, set number nine was the billowing cumulonimbus. On Cloud Nine has a number of explanations, with plenty of contradictory threads.ġ) It has been claimed that this is a by-product of weather classification, attributed to both the US Weather Bureau of the 1950’s and the International Cloud Atlas of 1896. Listen to the Motown Classics playlist for more essential Motown hits.Definition: To be incredibly happy/ to be in state of euphoria Example: After winning the lottery, being asked out by a supermodel, and seeing his boss fall down a mineshaft, all in the same day, Simon was on Cloud Nine. Whatever the meaning, that euphoric state was heightened when “Cloud Nine” went to No.2 R&B, No.6 pop and, at the 11th Annual Grammy Awards, in March 1969, made Motown history by winning Best Rhythm & Blues Performance. “I said, ‘Yeah, you’re right there,’ because I remember, growing up, I would a hear a guy being so knocked out by the woman that he would tell me, ‘Man, the way she made love to me,’ or, ‘The way she kissed me, I was on cloud nine.’ So the expression had been around for a long time but Norman and Barrett just took it in various ways.” “Norman said, ‘Man, the saying ‘Cloud Nine’ has been around for aeons,’” he recalls. Whitfield and Strong may have gone higher still, but Williams never doubted their meaning. In 1960, the Dictionary Of American Slang defined “cloud seven” – not nine – as meaning “in a euphoric state.” Indeed, improbable as it sounds, as far back as 1896, the first edition of the International Cloud Atlas defined ten types of cloud, of which the cumulonimbus, rising to 6.2 miles, was declared the highest that a cloud could be. Williams didn’t think so, and the phrase certainly existed long before the counterculture rented it out.
#He was on cloud nine meaning free
With Edwards newly installed in the vocal lead, make it they did – to the widespread assumption that a song including lyrics such as “Needed something to ease my troubled mind” and “On cloud nine, you’re as free as a bird in flight/There’s no diff’rence between day and night” could only be narcotically inspired. I said, ‘Oh you weren’t gonna…’ And he said, ‘Oh shut up, man, let’s go in and make this here hit.’” ‘I know there weren’t drug references’ “I said, ‘Well, they’re doing something that we should try and check out.’ Me and the Tempts went out of town, came back, and he’d recorded the track to ‘Cloud Nine.’ And I had to tease him. And I said, ‘Norman, have you heard of this group called Sly And The Family Stone?’ He said, ‘Nah man, I haven’t heard of no damn group called Sly And The Family Stone.’ At this time, exit David Ruffin, enter Dennis Edwards.
“So impressed was I that I went back to Detroit and I told Norman. And I said, ‘Who the hell is that? I ain’t never heard nothing like that.’ It was ‘Dance To The Music.’ We heard this young group come on the radio and it cut into our conversation. “The Tempts were in New York City,” Otis remembered, “and my good friend Kenny Gamble, of Gamble and Huff, and I were talking. Though Whitfield was, at first, stubbornly resistant to any relevance their sound could have to the Tempts, he would soon change his tune. ‘Let’s go in and make this here hit’īy now, Williams was more than aware of Sly And The Family Stone’s urgent, fresh, and hedonistic interpretation of the language of soul. Penzabene’s role as Whitfield and Strong’s collaborator was taken by Barbara Neely, and a No.4 R&B hit was the result. The group’s third single of 1968, “Please Return Your Love To Me,” was their last with David Ruffin in the line-up, but he took a back seat this time to Eddie Kendricks’ lead vocals. It was followed by the eighth, the same team’s “I Could Never Love Another (After Loving You),” which hit the top spot in July. They began the year with the superior, polished soul of Whitfield, Strong, and Rodger Penzabene’s “I Wish It Would Rain,” which became their seventh R&B No.1, in February. The dramatic change in the Temptations’ sound brought about by the single is right there in the grooves of their 1968 release schedule.
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